Beyond the technical skill – which allowed the photographer to create a favorable compensation between the dark areas of the composition and the marbled luminous parts of the model’s body – one would wonder if the Flemish master Peter Paul Rubens, anachronistically swapping his brush for a lens, would not produce such a lush and endearing photographic composition as that created by Marton.
Au-delà de l’habileté technique – qui a permis au photographe de créer une compensation favorable entre les zones sombres de la composition et les parties lumineuses marbrées du corps du modèle – on se demanderait si le maître flamand Peter Paul Rubens, troquant anachroniquement son pinceau pour un objectif, ne produirait pas une composition photographique aussi luxuriante et attachante que celle créée par Marton.
Speaking of Masters, old and modern, here follows – for your research – a list we hope you might deem useful:
DUCCIO DI BUONINSEGNA
GIOTTO
MASACCIO
FRA ANGELICO
DOMENICO VENEZIANO
GENTILE DA FABRIANO
FRA FILIPPO LIPPI
ALESSO BALDOVINETTI
SASSETTA
ANDREA DEL CASTAGNO
ANTONIO POLLAIUOLO
PIERO DELLA FRANCESCA
BOTTICELLI
PIERO DI COSIMO
RAPHAEL
BERNARDINO LUINI
ERCOLE ROBERTI
ANDREA MANTEGNA
GIOVANNI BELLINI
GIORGIONE
TITIAN
LORENZO LOTTO
DOSSO DOSSI
JACOPO TINTORETTO
EL GRECO
VELAZQUEZ
MURILLO
HANS HOLBEIN, THE YOUNGER
JAN VAN EYCK
ROGIER VAN DER WEYDEN
GERARD DAVID
PETER PAUL RUBENS
SIR ANTHONY VAN DYCK
FRANS HALS
REMBRANDT
JAN VERMEER
PIETER DE HOOCH
AELBERT CUYP
ANTOINE WATTEAU
FRANÇOIS-HUBERT DROUAIS
FRANÇOIS BOUCHER
JEAN-BAPTISTE GREUZE
J.-B. SIMEON CHARDIN
JEAN-HONORE FRAGONARD
G. B. TIEPOLO
GOYA
THOMAS GAINSBOROUGH
SIR JOSHUA REYNOLDS
GEORGE ROMNEY
SIR HENRY RAEBURN
BENJAMIN WEST
JOHN SINGLETON COPLEY
GILBERT STUART
JOHN CONSTABLE
J. M. W. TURNER
WILLIAM BLAKE
JACQUES-LOUIS DAVID
J.-B.-C. COROT
HONORE DAUMIER
EDOUARD MANET
JAMES A. McNEILL WHISTLER
EDGAR DEGAS
HENRI FANTIN-LATOUR
AUGUSTE RENOIR
MARY CASSATT
WINSLOW HOMER
CAMILLE PISSARRO
VINCENT VAN GOGH
PAUL CEZANNE
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